Le roi de la pop "béatifié" sur grand écran

A new Michael Jackson biopic, produced by his estate, is set to present a sanitized legacy, omitting the sexual abuse allegations that long shadowed the star. | Contesto: cronaca

Punti chiave

• Le roi de la pop "béatifié" sur grand écran

Contesto

Seventeen years after his death, Michael Jackson is receiving the definitive big-screen biopic treatment. The film, titled simply 'Michael,' is a major studio production that has been tightly controlled and produced by the late pop icon's three children, who serve as executive producers. The project, announced this week, aims to chronicle Jackson's journey from child prodigy to global superstar, promising an unprecedented look into his personal archive. However, early indications from those involved suggest the narrative will pointedly avoid addressing the persistent and grave allegations of child sexual abuse that dominated the latter part of his life and continue to define his complex legacy for many. The decision to sideline these accusations represents a deliberate curatorial choice by the Jackson estate, which has maintained the singer's innocence since his 2005 acquittal on child molestation charges. For decades, Jackson's team aggressively managed his public image, and this film appears to be the culmination of that posthumous effort. By focusing solely on his musical genius, groundbreaking performances, and philanthropic work, the producers are crafting a canonical, celebratory portrait designed for his enduring fanbase. This approach mirrors the estate's strategy across other ventures, from Broadway shows to hologram tours, which consistently rehabilitate the Jackson brand by emphasizing artistry over controversy. This sanitized narrative, however, collides with a significant cultural shift. The 2019 documentary 'Leaving Neverland' presented detailed, harrowing accounts from two men who alleged Jackson sexually abused them as boys, reigniting global scrutiny and leading several radio stations and media outlets to drop his music. The biopic's omission of this chapter is therefore not a neutral act but a contentious editorial stance. It raises immediate questions about the responsibilities of biographical art when depicting flawed icons, particularly those accused of profound harm. Critics argue that erasing these allegations from the story constitutes a historical distortion, while supporters of the estate view it as a rightful separation of the art...

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Categoria: cronaca